
Sharks, Scoundrels, and Knights Who Say Ni: Why 1975 Remains the Best Film Year Ever
Last year, when Sight and Sound Magazine’s decennial poll (controversially) voted Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles the […]
Last year, when Sight and Sound Magazine’s decennial poll (controversially) voted Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles the […]
The friendly rivalry (if such a thing can be said to exist between franchises owned by the same company) between […]
In The Phoenician Scheme, Wes Anderson trades the sprawling theatricality of The French Dispatch (2021) for something a little quieter, […]
Twenty years ago, I met Graeme Mathieson moonlighting as DJ Gramera. Graeme displays a vast knowledge of soul, funk and […]
James Mangold’s A Complete Unknown is okay. As in, not good, but also not completely terrible. Suffering from a distinct […]
The most surprising thing about Brady Corbet’s monumental new film The Brutalist is that it is neither an adaptation nor […]
Taylor Patterson is a Jamaican-Canadian artist and creator based in Toronto, specializing in film production, writing, and video. Known to […]
Prince Edward County, or “The County” as locals have been calling it for years, has been growing with Torontonian transplants […]
The paradox of recommending scary movies is that the very thing that makes them great – their unpredictability – is […]
Tamara Mariam Dawit is a filmmaker, producer, and storyteller whose Ethiopian, Eritrean, and Canadian heritage inspires her to create films […]
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