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Which ’hood are you in?

Geary Avenue

What do you do?

I am a professional dancer and choreographer with over 10 years of experience in the entertainment industry. Throughout my career, I have worked across film, television, live performance, and music videos with major companies including Disney, Netflix, and Warner Bros. Most recently, I performed in the opening ceremony of the 2026 FIFA World Cup, marking an unforgettable milestone in my career.
I have had the privilege of collaborating with internationally recognized choreographers and directors, performing in numerous music videos, and bringing stories to life through movement on some of the industry’s biggest stages and screens.

Beyond performing, I am passionate about mentoring the next generation of dancers and creating opportunities through my own programs and creative projects. Whether on set, on stage, or in the studio, my goal is to inspire, connect, and use dance as a powerful medium for storytelling.

What are you currently working on?

Right now, I am focused on continuing to grow both my performance and teaching career. As a heels choreographer, I recently launched my own heels training program, SSS, a collective designed to empower dancers by building confidence, artistry, performance quality, and community within a supportive environment.

I am also taking an exciting next step in my career by joining the faculty at Millennium Dance Complex in Los Angeles, where I will be teaching weekly heels classes. This opportunity is a dream milestone that allows me to share my passion for dance while continuing to evolve as both an artist and educator.

Where can we find your work?

Website

The post “A Day in the Life” with: Performing Artist Saskia Raparanta appeared first on Toronto Guardian.

Beyond the screen, Chloe is a prolific creator and musician. She released her highly anticipated EP, “The Chloe Madison Experience – Present Airplane Mode,” featuring the lead single “Airplane Mode,” on July 21 at midnight. With several of her own independent film projects also slated for release, Chloe continues to solidify her status as a rising star to watch.

-Written by Michelle Doiron

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Which ’hood are you in?

Haha, I’m a suburban girl – I love the energy of the DT core – but I need to detox at the end of the day with some greenery and my puppy!

What do you do?

I am an actor and a singer!

What are you currently working on?

Recently, I released my debut EP – The Chloe Madison Experience – with the debut single – Airplane mode! And I just wrapped on a show called Two Brothers, created by Andrew Meikle. I have been cast in season 3 as Karla!

Where can we find your work?

My music was released on all major music platforms on July 21 2026! And I have various shows and movies across all platforms! (Ie Netflix, Amazon Prime, etc)

The post “A Day in the Life” with: Artist Chloe Madison appeared first on Toronto Guardian.

When Bonggun moved to Canada, he didn’t arrive with a five-year plan or a safety net. He arrived with curiosity, work ethic, and an ability to see the absurd in everyday life — especially when cultures collide. Comedy didn’t just become a career choice; it became the most natural way for him to make sense of the world.

I’ve watched him take comedy seriously in a way most people don’t expect. He studies it, rewrites obsessively, performs constantly, and somehow stays humble through all of it. He’ll joke about not knowing what he’s doing, but behind the scenes, he’s disciplined, focused, and stubbornly committed.

What makes Bonggun stand out is that his comedy isn’t loud or forced. It’s thoughtful, sharp, and rooted in real experience. He makes people laugh first — then realize they’re seeing something from a perspective they hadn’t considered before. Watching him grow, it’s clear this isn’t a phase. This is exactly where he’s supposed to be.

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Which ’hood are you in?

York — currently spreading the smell of kimchi day by day to make the neighbourhood more Korean and Asian.

What do you do?

Stand-up comedy, creating seriously funny content.

What are you currently working on?

I am currently creating interview-style comedy content built around a reverse-interview format. The premise sets up an expected, normal answer, then intentionally subverts it with an unexpected or absurd response that often bridges cultural perspectives. This minimal, direct approach aligns with my comedy style — saying exactly what needs to be said, without over-explaining, and letting the simplicity make the joke stronger.

Alongside content creation, I am touring consistently across Canada. This year, I am focusing on developing my material more thoroughly with the goal of building a full one-hour set and filming my first comedy special.

Where can we find your work?

Everything can be found here.

The post “A Day in the Life” with: Performing Artist Bonggun Kim appeared first on Toronto Guardian.

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Which ’hood are you in?

St. Clair West.

What do you do?

I host Rogue Psychology, a show that examines modern behaviour.

What are you currently working on?

I’m currently working on new episodes Rogue, using my background in stand-up, to examine unconventional methods for improving how we process information, date, scroll, and show up in the world.

Where can we find your work?

You can find a trailer for the show here.

The post “A Day in the Life” with: Performing Artist Jonathan Neeman appeared first on Toronto Guardian.

As we wrote at the time, the Côté/LePage Hamlet is a triumph, distilling the essence of one of Shakespeare’s greatest works into a roughly two-hour dance showcase. Remounted now at the same venue where it debuted, Toronto’s Elgin and Winter Garden Theatre, Hamlet remains an impressive piece – and yet another reason to herald the successes of both of these Canadian creative titans.

Hamlet marks the second collaboration between Lepage and Côté after their 2018 Norman McLaren tribute, Frame By Frame, which paid tribute to that celebrated Canadian filmmaker, and in particular his contributions to filmed dance.

This time out, Lepage/Côté gave themselves the unenviable task of translating one of the great English-language works into a (nearly) wordless dance performance. While there is, of course, precedent – see the National Ballet’s own Winter’s Tale – the ballet is necessarily working in a very different space, evoking a familiar narrative rather than properly retelling it. Happily, then, this Hamlet applies a wonderful visual language – specifically, Lepage’s well-established style – with shadowplay, ever-shifting sets, and nifty optical illusions, like the pure blue rippling sheet which serves as the brook in which Ophelia drowns.

That said, audiences may be surprised to discover this is basically a faithful adaptation of Hamlet, albeit without Shakespeare’s dialogue. The familiar plot beats are mostly landed upon (with a few omissions that will not likely be missed by most theatregoers), and the cast – Côté and then Kealan McLaughlin (April 26 matinee) as Hamlet; Sonia Rodriguez as Gertrude; Robert Glumbek as the villainous Claudius – are uniformly excellent. (Glumbek among several dancers returning from the 2024 production.)

Lepage is rightly acclaimed as one of Canada’s most inventive theatre directors, earning worldwide acclaim for his Cirque du Soleil productions and an award-winning revamp of Wagner’s The Ring Cycle for the Metropolitan Opera. Côté, for his part, is a multi-award-winning dancer who retired from the National Ballet in 2025, following a sterling twenty-six-year career playing nearly all the principal roles in the repertoire.

The one failing of this Hamlet is the score. Ballets may live and die on their choreography, but a weak soundtrack can still undermine what’s otherwise a beautiful spectacle. We continue to hold that the Hamlet score, from composer John Gzowski, is ill-suited for the piece: overly melodramatic, lacking in nuance.

That said, it’s wonderful to have gotten a chance to see this Hamlet again, and we can’t wait to see what Côté/Lepage’s next collaboration looks like.

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For more on The Tragedy of Hamlet: Prince of Denmark and other Show One productions, click here.

The post The Tragedy of Hamlet: Prince of Denmark Returns to the Elgin and Winter Garden Theatre (Review) appeared first on Toronto Guardian.