Born on December 28, 1922, in Milwaukee, Wisconsin, Bornstein always had the urge to become an artist since his days in kindergarten. Receiving encouragement from his mother, Bornstein started taking art lessons as early as age 12, went to museums, and started portraying Jewish figures within his Milwaukee community in his teens, with his artistry taking off from there.

Before establishing himself as a trailblazing abstract artist, Bornstein experimented with other forms of visual art. Throughout his childhood and teen years, he naturally did representational art of interior figures in the marketplace he would go to with his mother in Milwaukee. Step by step, he started learning from the lessons of impressionism from Paul Cezanne, Cubism, a revolutionary art movement created by Pablo Picasso and Georges Braque in the early 20th century, the early work of Piet Mondrian and Constantin Brâncusi. This helped him fairly systematically make his way through the history of modernist art learning along the way.

In 1943, Bornstein continued to pursue art at The Art Institute in Chicago, Illinois before receiving his teaching degree from the Milwaukee State Teachers’ College in 1945. Before moving to Canada, Bornstein taught at the Milwaukee Art Institute from 1943 to 1947 and at the University of Wisconsin in Milwaukee in 1949.

Based in Saskatoon, Saskatchewan since 1950 when he started teaching and later on head of the Department of Fine Arts at the University of Saskatchewan, one can find many of Bornstein’s pieces in the area. His first commissioned piece, created in 1956, is the “Tree of Knowledge,” a 15-foot bronze statue located outside of the Saskatchewan Teacher’s Federation building. The bronze statue is the first abstract statue in Saskatoon, and it caused discrete controversies, resistance, and hate. The editor of a local newspaper received letters demanding for Bornstein’s termination at the University of Saskatchewan. Despite being a major affair, it’s an important piece that remains standing.

Bornstein didn’t stop there and continued to create more abstract art pieces.

In 1984, Bornstein created a magnificent tall, four-part double vertical double plane structurist that hangs from the ceiling in the multi-story Authority building, part of the Wascana Centre Authority in Regina.

A monumental relief on the grounds of the University of Saskatchewan, The “Exoplanet Doctors Relief,” sits on a park setting of the campus. Originally, the abstract piece was intended for a synchrotron for the university’s Canadian Light Source Building. However, the sculpture is now placed in its current location after the building’s renovation.

Another splendid abstract piece is the “Tri-part Hexaflame Construction,” a three-part free standing relief, an outside installation on the University of Manitoba’s campus.

As a modern abstract relief artist, it makes sense to call Bernstein a loner. As a relief artist, he essentially drew inspiration from his study of nature when abstract painting was supposed to be essentially subjectless. He was a unique artist on the Canadian Prairies who came into maturity when the reigning aesthetic of the time was colour field painting, which was promoted by American critic Clement Greenberg. Colour field painting was the reigning aesthetic that demanded that painting celebrate its flatness.

Roald Nasgaard, a teacher, writer and curator, is the author of the upcoming biography, Eli Bornstein: Life & Work. In 2008, wrote a book called Abstract Painting in Canada. The book took him across the country interviewing abstract artists. It was then that he met Bornstein for the first time and found his work to be very impressive. Some years later, when Nasgaard was installing his art exhibition, The Automatists Revolution, a Bornstein exhibition in the adjacent galleries was taking place. These adjacent galleries had skylights, meaning the appearances of the pieces would change as the day progressed, representing how Bornstein installed pieces in his house and studio with the use of a skylight he created that represented natural lighting. This made Nasgaard realize it was time for Bornstein to fully receive his due.

The biography is a comprehensive book that deals with the totality of Bornstein’s biography, the importance and significant critical issues and his technical means. The book’s official release will be on December 20, 2024.

The post Iconic Abstract Artist Eli Bornstein Celebrates His 102nd Birthday with The Release of a New Biography appeared first on Toronto Guardian.

Montreal: A Hub of Creativity

Montreal’s artistic landscape is rich and varied, featuring talents from a range of disciplines. The city is known for its vibrant arts festivals like the Montreal International Jazz Festival and Just for Laughs comedy festival, as well as dynamic arts communities such as the Belgo Building, a hub for contemporary art galleries.

Natasha Fagant is an actor and performance artist based in Montreal. Natasha graduated from Concordia with a BFA in theatre performance in 2013 and has been involved in a variety of projects. Natasha’s performances are known for their intensity and uniqueness, ranging from uncomfortable burlesque using medical props to honest and vulnerable short films or radio plays. Natasha is always immersed in the arts, whether she is performing on stage, directing, working as a technician, or supporting fellow artists. This dedication extends to her film and voice work, where she has voiced national campaigns.

Ravyn R. Bekh is a multidisciplinary artist in Montreal. Since graduating from the Dawson Dome in ’22, Ravyn’s enthusiasm for life and art has been channeled into her roles as an Actor, Writer, and Director. Currently based in Notre-Dame-de-Grâce, Ravyn has lived all over Montreal and continues to make substantial contributions to the artistic community. She is involved in a variety of projects that span different mediums and topics. You can catch her at the Centaur Theatre or across various stages in Montreal, on the radio, and possibly on streaming services if you look closely.

Günes-Hélène Isitan is a Canadian artist-researcher working in biomedia arts, blending art, biology, and philosophy. Her practice challenges the cultural divisions we impose within the continuum of life. Through visual works, interactive media and living installations, she moves beyond anthropocentric perspectives to highlight the interconnectedness and shared destinies of humans and non-human organisms. Using techniques borrowed from microbiology and molecular biology, her creations reveal hidden realities that lie beyond our five senses. They envision a multispecies humanity, where skin no longer serves as a boundary. By abandoning the idea of human exceptionalism, her work portrays humanity not as separate from nature but as deeply entangled with it.

Discover more amazing artists from Montreal by visiting the Montreal Guardian Arts section.

Vancouver: West Coast Wonders

Vancouver boasts an eclectic mix of artistic talents who draw inspiration from the stunning natural surroundings of the West Coast. The city’s creative community thrives through events like the Vancouver International Film Festival and PuSh International Performing Arts Festival, along with vibrant arts districts such as Granville Island.

Linda Suffidy is a mixed-media visual artist whose work explores the theme of timelessness. Fascinated by the glimpses of ancient history found in the present day, her pieces often incorporate elements like fossils, artifacts, and natural materials such as ginkgo leaves and ferns. Linda’s art creates a tactile, immersive experience, carrying viewers on a visual journey that feels both deliberate and meditative.

Another influential figure in Vancouver’s arts scene is Travis Lim, a dynamic teaching artist and professional dancer. From a young age, Travis has demonstrated unwavering commitment and passion. Balancing his artistic career with his studies at UCLA and participating in shows like “Canada’s Got Talent,” he exemplifies dedication and resilience. Travis now uses his profound respect for Hip Hop’s rich history to inspire and teach students, performing and creating to push the boundaries of dance. His work can frequently be seen at community events and open sessions around Vancouver’s Robson Square.

To delve deeper into the artistic minds of Vancouver, check out the Vancouver Guardian Arts section.

Calgary: Prairie Pioneers

Calgary’s arts scene is equally impressive, with artists who reflect the rugged and pioneering spirit of the prairies. Enhancing the city’s cultural vibrancy are events like the Calgary Stampede and Calgary International Film Festival, as well as thriving communities such as Studio Bell, home of the National Music Centre.

Abstract painter Tannis Marshall is inspired by the abstract expressionism movement of the 1950s. Marshall, who resides in Killarney with her partner and three young boys, creates out of her home studio. Her work explores an intuitive approach to painting, blending and manipulating acrylic pigments with water to build beautiful layers that reflect her visual experience. After hosting her first solo art show in the fall, she continues to work on her commission schedule and is preparing a curated spring collection. Her works can be found at several locations, including Sundays Furniture Calgary showroom and The Curated Home in Inglewood.

Dominique Keller is a seasoned documentary filmmaker with over 20 years of experience. Dominique is most comfortable traveling to remote locations and immersing herself in the lives of unique individuals. Her recent work includes the NFB feature documentary “Love: The Last Chapter,” which explores connections and intimacy among residents at a Calgary Senior’s residence. Also passionate about extreme sports, Dominique worked on a new APTN documentary series, “Horse Warriors,” traveling throughout Alberta and Montana to capture the stories of top indigenous relay racers. Outside her filmmaking pursuits, Dominique enjoys mountain biking, rock climbing, and weight lifting around Calgary.

Calgary’s artists are dynamic and forward-thinking; learn more about them by visiting the Calgary Guardian Arts section.

By celebrating the incredible talent residing in Montreal, Vancouver, and Calgary as well as right here in Toronto, we acknowledge the invaluable contributions these artists make to Canada’s rich cultural mosaic. Check out the local guardians to immerse yourself in the latest creativity from these vibrant cities.

If you are an artist, or know an artist that wants to be featured in our “A Day in the Life” artist series, please get in touch with us.

info@torontoguardina.com

info@montrealguardian.com

info@calgaryguardian.com

info@vancouverguardian.com

The post Celebrating Artistic Talent in Montreal, Vancouver, and Calgary appeared first on Toronto Guardian.

What is your business called and what does it do?

Zaal Art Gallery is an international gallery in Ontario, Canada. It was founded by Hormoz Hematian, who also established the Dastan Gallery. Zaal Art Gallery embraces Dastan’s spirit by hosting various events and initiatives. These include publishing artist books and monographs, screening art-related films, and organizing performance art projects. The gallery provides an engaging and immersive space for both enthusiasts and professionals.

What made you want to do this work?

My love for art and curatorial practice.

What problem did you want to solve with the business?

Introducing more diversity to Toronto’s art scene.

Who are your clientele/demographics?

Currently, we are working with the Middle Eastern and East Asian communities.

How does your business make money? How does it work?

We are a commercial gallery; most of our income comes from selling art pieces.

Where in the city can we find your profession?

we are located at 1305 Dundas st west

What is the best question a prospective customer could ask a member of your profession when comparing services? Give the answer as well.

How do you quantify an artist’s success? through their exposure in the international and national art scene and their demand for the commercial side of things.

What is the best part about what you do? What is the worst part?

connecting with the people of the city, saying no to a significant number of artists.

What is your favourite joke about your own profession?

If you make it in the art world, you can make it anywhere else.

Where can we follow you?

@zaalartgallery on Instagram

PAY IT FORWARD: What is another local business that you love?

We appreciate our neighbouring gallery Stephen Bulger Gallery.

The post Homegrown Business: Zaal Art Gallery appeared first on Toronto Guardian.

Abstract art is an expressive medium which conveys imagery through the use of texture, composition, colours and patterns, comparable to imagery which reflects an accurate depiction of visual reality. Abstract art fosters abstract thought by encouraging the observers to pay attention to the details and subtleties of the artwork. This modality arguably frees the mind from the constraints of visual reality, stimulating and activating new or underutilized cognitive and emotional processes.

Paraghamian expertly evokes the emotions of audiences with this compelling work of art. The complementary coupling of texture and colour fosters introspective thoughts and feelings. The compositions are enthralling; the imagery expertly reflects the texture, emphasizing the intricacy of the included pieces. Abstract: An Artist’s Journey II moves audiences into another facet of Paraghamian’s creativity. Many of the works presented elicit complex responses. In particular, the Beaux Arts I and Beaux Arts II are captivating. These works depict strong, beautiful, feminine characters – with beguiling eyes. There is an unquantifiable element Paraghamian depicts in the eyes of these pieces. Art lovers will experience a host of inexplicable emotions while enjoying the Beaux Arts I and II portraits. Abstract: An Artist’s Journey II demonstrates Paraghamian’s capacity to capture a boundless range of depth through abstract imagery and intricate portraits. This work of art speaks to the vast talent reflected in many of the pieces in Paraghamian’s prodigious portfolio.

Beyond the exquisite contemplative pieces, Paraghamian regales audiences with tales of painting as a child in France and emigrating with his parents to Quebec at an early age, wherein his talents flourished. His affinity to self-express through illustration is one of Paraghamian’s earliest memories. His desire to bring life to his words felt like a dream as Paraghamian grew into a young man. Dissuaded by the impracticality of being an artist, Paraghamian found himself at a crossroads. When faced with this juncture – life as a musician or one as an artist, he chose his art. On the Waterfront… Toronto was the painting that changed Paraghamian’s journey into the world of professional artistry. This piece became a trademark style, synonymous with Paraghamian. Many of his works, including those reflected in An Artist’s Journey use similar styles of composition.

Artiste extraordinaire, Paraghamian, has a keen eye for detail. There is something to be said about how his works render audiences contemplative. Abstract: An Artist’s Journey II allows aficionados to see another side of this prolific artist. Many may remember, An Artist’s Journey, which reflects works similar to Paraghamian’s trademark piece, On the Waterfront… Toronto. Abstract: An Artist’s Journey II differs in that it showcases works which may be unfamiliar to Paraghamian’s audience.

Abstract: An Artist’s Journey II was crafted with the support of the George and Helen Vari Foundation. The Vari’s Foundation supports many philanthropic initiatives, especially in education, in honour of the humanitarian efforts of the late power couple. The Vari’s received many prestigious accolades – George was a member of the Queen’s Privy Council, while Helen, was a member of the Order of Canada and received the Queen Elizabeth II Golden and Diamond Jubilee awards. Paraghamian found this book to be an avenue of expression in response to the plight of the world at the moment.

Despite notoriety for his influence in the art world, Paraghamian has long worked as a musician. GéGé serves as Paraghamian’s stage name and he boasts several albums including, Pour Toujours and Retrospective. The art and music collections found in The Art of Gérard Paraghamian offer audiences a glimpse into Paraghamian’s creative ventures throughout his impactful career. Art lovers will relish seeing Paraghamian’s growth as an artist through the years. Listen to Paraghamian’s beautiful arrangement, Captured Melody, while you explore his journey as an artist. This will transform your experience in unexpected, immersive ways.

The post An Abstract Journey with Gérard Paraghamian appeared first on Toronto Guardian.

Inspired by these words – themselves inspired by discussions with this year’s artists – the artworks tackle topics such as environmental justice, sovereignty, self-representation, belonging and migration, collective memory, feminist genealogies, and queer worldmaking. Some of the work is clearly designed to be “audience-friendly”, while some of it can be quite provocative. All of it is interesting. (The exhibition is largely child-friendly, and the curators have been very careful to signal – with content warnings, curtains, and otherwise – which works you might want to steer kids away from.)

Curated by Dominique Fontaine and Miguel A. López, the Biennial has been programmed across eleven locations in this, its third year. Dozens of artists are participating, ranging from Chilean artist Cecilia Vicuña, whose “precarious” found objects are among our favourites this year, to Toronto’s own Pamila Matharu, whose print works playfully interrogate questions of identity and belonging.

Admission is free, and indeed you’ll likely encounter many of the works as you make your way across the city, from the Art Gallery of Ontario to Union Station to Pearson Airport. The hub for the event, 32 Lisgar St and Park (the former Toronto Media Arts Centre) is a good place to start, with dozens of works on display in various media, including painting, sculpture, and video. There’s even a VR installation!

Once the Biennial wraps up, the organization continues to feature year-round programming, including educational initiatives, public engagement, and other activities. As its mission statement spells out, the Biennial hopes to offer “new ways of seeing and listening”, all year long.

***
For everything Toronto Biennial including location information, click here. As always, admission is free.

The post Toronto Biennial of Art Features Commissioned Works From Near and Far appeared first on Toronto Guardian.